The Review
The Good
- Modern and fresh yet sleek design
- Improved battery life
- Performance of M3 Chipset
- Designed for a larger screen
The Bad
- Lackluster Audio and tiny speaker
- Still ridiculously large
- Can't render the brightest colors
- Missing dedicated ports
British designer Sarah Burton made a striking debut as the chief designer at Givenchy during Paris Fashion Week, unveiling a collection that paid homage to the brand’s illustrious 1950s heritage. The much-anticipated showcase, held in the historic offices of Givenchy in the upscale eighth district of Paris, was a masterclass in blending classic elegance with contemporary style.
Burton, who took over the prestigious role in September of the previous year, firmly believes in looking back to move forward. “To go forward, you have to go back to the beginning,” she noted in the show’s accompanying literature. True to this philosophy, she crafted a Fall/Winter 2025 collection that seamlessly intertwined elements of the past with modern aesthetics.
The runway was a spectacle of sophistication, dominated by a monochrome palette of black, white, and grey. Overcoats and jackets featured sculptural silhouettes reminiscent of 1950s couture but were updated with an oversized, contemporary twist. Tweed coats and tutu-style skirts brought a sense of refined femininity, while bold flashes of vibrant yellow added a refreshing contrast—a hue that many fashion analysts predict will be a major trend in the coming seasons.
Burton’s journey to Givenchy has been nothing short of remarkable. A grounded and unpretentious 51-year-old from northern England, she first rose to prominence as the creative director of Alexander McQueen. She took over the reins of the British fashion house in 2010 following the untimely passing of its founder and successfully upheld its legacy while adding her own distinctive touch. Her decision to transition to Givenchy, an LVMH-owned label, marks a new chapter in her career, one that she described as deeply appealing. “Givenchy has a very beautiful history,” she told Vogue in a recent profile. “It appeals to me because it’s a small house, and it’s in Paris.”
Burton’s appointment is part of a broader shake-up in the fashion industry, where several luxury brands are either welcoming new creative leads or searching for fresh talent. Among those experiencing changes are major fashion houses such as Chanel, Tom Ford, Dries Van Noten, Dior menswear, Bottega Veneta, Celine, Martin Margiela, and Gucci. Speculation is also rife that Maria Grazia Chiuri, the creative director of Dior womenswear, may soon exit her role, adding to the wave of transformations within the industry.
Her arrival at Givenchy comes at a critical time for luxury fashion, which is facing significant economic headwinds. The sector has been grappling with weakening demand, particularly in China—an essential market for high-end brands. The economic uncertainty and inflation in developed markets have further dampened consumer enthusiasm for luxury purchases. Despite these challenges, Givenchy’s legacy and Burton’s vision offer a promising beacon of hope.
For her debut, Burton opted for a setting that underscored the timeless elegance of the Givenchy brand. The collection’s sculptural cuts and oversized silhouettes reflected a dialogue between tradition and modernity. The use of tweed, a fabric historically associated with refinement, was juxtaposed against daring new shapes and proportions, offering a fresh perspective on classic tailoring. Meanwhile, the inclusion of tutu-style skirts hinted at a sense of playfulness and femininity, balancing structure with fluidity.
The choice of color was another standout element of Burton’s collection. The dominance of black, white, and grey evoked a sense of timeless sophistication, while the vibrant yellow accents provided an unexpected yet welcome jolt of energy. Yellow has been increasingly spotted on runways and red carpets, signaling its emergence as a defining color of the season.
Burton’s signature design philosophy—rooted in precision, craftsmanship, and a deep respect for fashion history—was evident throughout the collection. Her tenure at Alexander McQueen showcased her ability to honor a brand’s legacy while infusing it with a contemporary sensibility, and her debut at Givenchy was no different. She managed to channel the elegance of the house’s founder, Hubert de Givenchy, while making the collection relevant for today’s fashion landscape.
As the fashion industry continues to navigate shifting consumer behaviors and economic fluctuations, Burton’s appointment at Givenchy represents a strategic move for the brand. Givenchy’s relatively small scale compared to some of its LVMH counterparts allows for a more focused creative vision, something Burton finds particularly appealing. Her ability to merge heritage with modernity may prove to be a winning formula as the brand adapts to the evolving luxury market.
While Burton’s first collection for Givenchy is an homage to the past, it also lays the groundwork for an exciting future. Her approach suggests a thoughtful evolution of the brand rather than a radical overhaul, ensuring that Givenchy remains synonymous with sophistication, elegance, and innovation. As industry watchers speculate on the next big moves in luxury fashion, all eyes will be on Burton to see how she continues to shape the house of Givenchy in the seasons to come.
Her debut collection is not just a showcase of beautifully crafted garments; it is a statement of intent. Burton has demonstrated that she understands and respects the DNA of Givenchy while possessing the vision to propel it forward. In a fashion world constantly in flux, her steady hand and commitment to excellence may be exactly what Givenchy needs to thrive in an uncertain market.
As the industry awaits further developments, one thing is certain—Sarah Burton’s Givenchy era has begun, and it promises to be a captivating journey of artistry, heritage, and innovation.